Post #6, Jordan Valdez, Aladdin, 1992, Directed by Ron Clements and John Musker
Aladdin is one of the greatest Disney films ever made, and of course, I had to use this project as an excuse to watch it again, although it has been many, many years. What I love most about this movie is the story line. It sends a powerful message that no matter where you come from, you deserve love and happiness, and can achieve great things. From beginning to end, Aladdin is also an insanely hilarious comedy. Thoughout my childhood, my parents and I would quote jokes from this movie and they never get old. Now that I have been reminded of them, I can't wait to go home and sneakily put them in random conversations! Even though it's an animated film, the film techniques, story, music, and themes all come together so well in Aladdin and this makes it a beloved film by so many people over the years. I know I will still show it to my family some day.
As far as film techniques go, it is hard to find things such as OTS shots or to make sure the 180 degree rule is followed. However, there are still important shots that are executed in order to keep the action flowing. There are establishing shots made before most of the scenes, either setting us at the Palace, in the desert, or in the market. There are also high and low angle shots when we are introduced to the Genie. In addition, long shots, medium shots, and close ups are included throughout the progression of the film. What is also interesting about Aladdin is that I can relate it back to the other films that I have watched for this project. Underneath the love story, there is a crime-related subplot that takes place. The presentation of Aladdin as a "street rat" in the beginning and the punishments he endures for the alleged kidnapping of the Princess. Even Disney was on the same track of including an aspect of crime in their films in order to show the consequences of such a life.
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